The most significant correspondence to survive the Krakow Ghetto is the source material for Karen Hartman’s ‘The Lucky Star.’
Read More
There are no victims here. The women do not want your pity. They want to be seen in all of their beautiful, tragic humanity.
Read More
The deterioration of New York City’s subway system shows us what happens when we confuse “social justice” for justice.
Read More
Alex Edelman’s “Just for Us” is catalyzing an off-Broadway renaissance by giving us what Broadway isn’t: original material, heterodox thought and face-to-face conversation with those who scare us.
Read More
Nat Hentoff was concerned with three things: the Constitution, being an atheist pro-life advocate, and jazz music, with the latter being his primary passion.
Read More
University Musical Society’s “Fiddler on the Roof” strikes a shaky balance between ‘tradition’ and a changing world. In our new era of multi-ethnic casting, what does it mean to be a Jew?
Read More