‘Catch as Catch Can’ has been produced once before, with an all-white cast, but writer Mia Chung felt an impulse to try again with a new venue, creative team, and a cast of Asian descent.
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As I watched ‘Where the Mountain Meets the Sea’ unfold, I could think of no starker representation of our current generational divide.
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It’s more than a turtleneck – it’s a mission, a secret weapon, an aspiration, a piece of art, a family. It’s a little piece of home.
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Emma Rice’s adaptation skins away formality, exposing the manic, infernal heart beating behind Emily Brontë’s only novel.
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A few years after playwright Jiehae Park wrote her piece modeled on ‘MacBeth,’ the most notorious college admissions scandal of our time would captivate the news cycle.
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“When I paint, I always want to paint in face form, or in a mask with huge eyes. And those eyes, they watch me. They are a reminder of who I am, a reminder to stay close to myself.”
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